In a seemingly simple white room, shattered cups and saucers are placed on a table. Ono proposes communal mending as an act of healing. The single shot of Robin attempts at re-creating these feelings by confronting head on the viewer/spectator.Beginning in April 2022, the Springfield Art Museum invites our visitors to engage with the participatory exhibition, Yoko Ono: Mend Piece (Andrea Rosen Gallery, New York City version), from the Rennie Collection, Vancouver. "With our live performances, we definitely try to make it an immersive and introspective experience. "Not usually being huge fans of music videos, we decided to make this video with the same approach we have when It comes to writing music translating the aural and emotional qualities of the song meant using minimalistic, slowed down and layered visuals," the band tells NPR. It is powerful music untethered to metal, post-rock or what have you, instead a tearing apart to mend the broken pieces.įor its "Sound" video, BIG BRAVE opts for surrealistic simplicity. The two guitarists and drummer channel Neurosis' ritualistic doom, Codeine's wailing pace and the cinemascope drama of Godspeed You! Black Emperor (tentacles of that collective have produced or played on past records, such as violinist Jessica Moss, who plays on all of Ardor), as Robin Wattie's voice yelps and crackles through the atonal sludge with an eerie glow. When BIG BRAVE toured with Sunn O))) this past spring, it was a melodic and moody complement to that duo's feedback-sick avant-drone, leveling stages across the U.S. The Montreal trio's third album, Ardor, draws out their experimental and heavy music over three long tracks, including the heaving opener "Sound." Listening to BIG BRAVE is like standing between a Richard Serra installation: massive and imposing, but curved to let the light shine on the edges.
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